Go to Instagram to see all my latest art – anything there can be bought, just contact me.
This work is harrowing and traumatic and rips apart selfie culture while providing a respite from PTSD.
A viewer at the gallery pulled me aside and said, “That painting there, that white one, is how I felt when my son died.”
This work is Expressionist, I call it Computational Expressionism. I chose to make the work in the style of Expressionism and other Northern European portraiture as it has an advanced language of expression ready and available to use, to express angst and existential terror.
The work runs from 17th century Dutch to Francis Bacon and into the twenty first century. It’s made from drawings and photos run through algorithms to manipulate the pixels and then it’s digitally painted into using natural media synthesis. It’s then rendered on canvas and framed with ersatz fake distressed rococo frames, including fake woodworm holes. They were then hung in a gallery to complete the creation of the Baudrillardian simulacra. They had to be false/simulacra so that they equalled the falseness of selfie culture which they are partly ripping apart.
My antiselfies deal directly with my PTSD, Isolation and death. I suffered horrendously in 2018, being critically ill and worse, four heart ops (routine procedure), following the insertion of a device that failed and a near fatal heart infection, culminating in me watching myself slip away, on the monitor, as everything stopped during the surgery (no, there’s nothing there).
For some reason still unknown to me, close friends and family declined to even speak to me or visit me after this. I had a few single line messages via social media, some months later; no phone calls, no support. I recall messaging people suggesting a coffee and catch up but nothing. A few even used the old “oh my diary is full” and “I’ll get my assistant to set something up” or single line social media messages ( which are the single most insulting thing); they couldn’t even be bothered to SMS or call me. This was me just trying to talk to people and feel human again, but when I needed human contact, I got almost none from the people I had expected to respond.
I did get support from a number of people I hadn’t expected to get some from but the disappearance of people I had trusted hit hard.
Sitting in hospital, I realised I had to deal with the hammer blow of mortality and potential real depression and very real PTSD. The problem with living is knowing you’ve died. Isolation and trauma are potentially killers in their own rights and I was suffering from both. I remember being laid in a hospital bed and realising it would forever define me if I let it get on top of me and so instead of getting depressed, I realised I had to exploit the actual luck of being brought back and so I attempted to channel the trauma and shock into my work. Every time I felt it build, I started more work. I was discussing this, later, with an RE teacher at the kids’ school who feels it’s an amazing thing to have done and a great example. I find it difficult to read it that way.
Corrosive selfie culture
These anti-selfies show only the worst of my internal emotional state, as opposed to normal selfies that people curate to show how cool they are in that horrible narcissistic way. Sometimes these were created or started in the cold desperate hours of night and sometimes at the moments when my situation hit me full on. Sitting there getting no contact and seeing other people’s fabulous lives ( as presented by them) I began to realise just how corrosive and damaging selfie culture is. I decided to produce work that coruscated that.
Sitting there alone, knowing the trauma would trigger severe mental problems, using the materials I had at hand, a SurfacePro, a phone and a pencil (no messy media in hospital), I started to create anti-selfies to show how I felt inside.
The works are produced from pencil sketches or selfie photos, I run them then through some code to move the pixels about, then I digitally paint into them on the PC using natural media synthesis and then I filter them as selfies are. Once that is done, I produce a unique print onto canvas and frame it in a distressed frame, creating perfect simulacra of a cry from the Id monster.
Simulacra and computers
Simulacra as defined by Baudrillard are one of the key outputs of modern digital art culture. The ability to “create copies that have no original” is a key function of systems such as AI artists and an obvious output of software driven push button art. By using the language of Expressionism and the language of computing (coding and software) combined with the technology of the Selfie, I was both able to communicate my trauma, therefore excorcising it, and create perfect digital simulacra, even down to fake woodworm holes in the fake distressed “vintage” frames.
Spirituality and computer/digital art
The use of contemporary technology to make art that is firmly rooted in its own critical and historical context has enabled me to produce something that is rare, spiritual computer art. Computer art that can move people emotionally. Not just delight or surprise them with cleverness (vis AI) but actually make them cry and feel, that is emergent from the characteristics of the medium (truth) and some people do cry that when they see them for real. After all, what is the point of art of it doesn’t address what makes us human, not bio machines?
All work is for sale by contacting me. These works are canvases, usually 30 x 40 cm in size.
Prints are A2 and are mailed direct you for £30. Fill in the form on my shop page.